April 21 – 24, 2022, F.I.G., Dallas, TX
April 21 – 24, 2022, F.I.G., Dallas, TX
April 21 – 24, 2022, F.I.G., Dallas, TX
April 21 – 24, 2022, F.I.G., Dallas, TX
April 21 – 24, 2022, F.I.G., Dallas, TX
April 21 – 24, 2022, F.I.G., Dallas, TX
April 21 – 24, 2022, F.I.G., Dallas, TX
Chris Duncan
Moon, Clear Night (6 Month Exposure), 2022
Oil, UV exposure, time on fabric
40 x 32 inches (101.6 x 81.3 cm)
Chris Duncan
Sun In Clouds (6 Month Exposure), 2022
Oil, UV exposure, time on fabric
40 x 32 inches (101.6 x 81.3 cm)
Installation view: Chris Duncan, L: Moon, Clear Night (6 Month Exposure), 2022, R: Sun In Clouds (6 Month Exposure), 2022
L’Merchie Frazier
Col. Charles Young: The Moral Compass – Military Attaché, Cartographer and Road Builder, 2018
Machine quilted nylon fiber,appliqué
54 x 32 inches (137.2 x 81.3 cm)
Installation view: L’Merchie Frazier, Col. Charles Young: The Moral Compass – Military Attaché, Cartographer and Road Builder, 2018
L’Merchie Frazier
In Search of My Mother’s Garden, 2022
Nylon, synthetic tape and thinsulate fabrics
37 x 25.5 inches (94 x 64.8 cm)
Installation view: L’Merchie Frazier, In Search of My Mother’s Garden, 2022
Bryan Graf
Hallucination 24 (Endless Summer), 2022
Edition 1 of 5 +2 AP
Inkjet Print
40 x 50 inches (101.6 x 127 cm)
Installation view: Bryan Graf, Hallucination 24 (Endless Summer), 2022
Elias Hansen
Light Sculpture (Rose), 2020
Glass, cork, electrical wiring, LED bulb
16 x 14 x 14 inches (40.6 x 35.6 x 35.6 cm)
Installation view: Elias Hansen, Light Sculpture (Rose), 2020
Sheree Hovsepian
Belonging, 2022
Silver gelatin photograph, wood, string, nails, walnut artist frame.
31.5 x 12.5 x 3.9 inches (80 x 31.8 x 9.9 cm)
Installation view: Sheree Hovsepian, Belonging, 2022
Ann Pibal
RBWCMX, 2018- 2021
Acrylic on aluminum panel
41 x 63 inches (104.1 x 160 cm)
Installation view: Ann Pibal, RBWCMX, 2018- 2021